The interviewee may not be the best place to start, since she’ll be moving around during the shot. Let’s assume this was a particularly shaky shot. After tracking for camera motion, you can reposition the power window onto the subject. In these scenarios, the best object to track may actually not be the talent, but an inanimate object that remains in the frame during the shot. However, sometimes the object is stationary and you just want to compensate for the movement of the camera. Most of the time, it makes sense to place a power window on the moving object in question and track it. You’ll either have a moving camera, a moving subject, or both. There are a few basic scenarios where you may want to use tracking. The tool automatically picks points within a vignette to analyze. Let’s take a look at how to best utilize this fantastic feature.
The DaVinci Resolve motion tracker’s efficiency always seems to impress clients, but that certainly doesn’t mean it’s perfect. The DaVinci Resolve motion tracker is fast and simple to use. Let’s explore how to get the most out of this already amazing tool.
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